If code is poetry, then design is a pop song; when done right its catchy, powerful, and destined to rattle about your head long after the first impression has past. However, that also means that everyone has an opinion, thinks they could do it better, and are accustomed to way too much autotune.
As I’ve blogged about previously (here and here) I’m on the Utah Social Social Media Awards planning committee. As such, I was tasked with coming up with a logo for the awards itself.
Brainstorming, regardless of design, is fun. The Salt Lake Social Media Club, who is presenting the awards, already have a very clean, iconic logo (shown below) done by the effervescent Jantzie :
The straightest path from empty workspace to finished logo would be parrot the existing word bubble, contort a Utah-shaped word bubble around the words ‘Utah Social Media Awards’ and call it a day, as below:
However, there’s some serious problems here. The biggest of which is that not one, but two tired tropes are being rolled together. It’s like the Voltron of Cliches. For example, throwing the Utah shape at anything associated with the state is common almost to the point of being hackneyed – a five minute Google search turned up the following:
(It’s an issue with any agreed upon state icon – South Dakota, for example, swims in Rushmore heads. )
And that’s nothing compared with the overuse of word bubbles to represent social media, conversation, or the fading Web 2.0 term in general:
The bubble was called out for being tired in 2007 and things have only worsened since then. I’ve even resorted to the bubble for previous projects, but in my defense, I was a naive grasshopper in early 2007:
Yet, the tired usage of the state – even those combined with word bubbles – continues. A recent logo shows Utah having the same geographic heft as, say, Australia, is a case in point:
So, what to do? Using some kind of laptop silhouette is probably a dead end, as social media is increasingly relevant on other platforms, like mobile devices. What about playing on the idea of communities, of like clusters of people? After some time in photoshop and appending some throwaway text for context I arrived at this:
Yes, there’s a subtle state in there to provide context to the ‘community’ but its not a straight-up outline from Rand-McNally. And one dot stands out to fulfill the idea of the awards – acknowledging those that stand out from the crowd.
After some feedback regarding size, color, and clarity – along with a desire to more closely align with the local Social Media Club chapter, I arrived at this:

Sample USMA Logo - Pass 2
While fulfilling the feedback there are new problems. One, to simplify the state dots to jive with the bubbles it was necessary to strip the gradient shadowing – it was problematic for vectorizing and re-purposing for tasks like silk-screening anyway. But the process makes the spheres flat and two dimensional; they no longer quite resemble people heads. There is also a large amount of clutter, or noise. Whereas before approximately 110 dots didn’t seem to be that big of deal here, even flattened, there’s still a lot going on.
On today’s Vox Pop PowWow, a weekly conference call I have with other creators, it was suggested that cleaning out the bleed through between the dots might help. Another trip to photoshop results in:
So, with all that work and laborious philosophical posturing what will the final verdict be? My guess is that we’ll probably go with:
Why? After trying to avoid the obvious I have to conclude that the reason word bubbles and state outlines are used so often is that they work. What’s more? They work really well. They’re easy to grasp. They have clean lines. They’re easily re-purposed into a variety of different formats.
It’s tremendously easily to over think design. Just look at what happened to Pepsi. What’s hard is stepping outside oneself and scrapping several hours worth of work on a concept that just didn’t quite work.